On the 10th of March, the artist John Franzen will open his studio WHITE SCOPE.
His series of contemporary fine art drawings „EACH LINE ONE BREATH” aims at stimulating the viewer’s thoughts about what preceded the primordial elements of human existence. John Franzen examines humanness in its original forms, ranging from serenity in the darkness, to the singularity of ritualistic creation of artwork for arts sake.
The exhibition will remain open until the 30th of March.
These latest sculptures by New York-based artist Amy Brener are something magical. Made of a combination of materials like resin, pigment, and glass (Brener describes these as “totemic structures…of an imagined future,”) these objects combine natural and artificial aesthetics to create something familiar yet strangely distant from a what we know. As the artist describes:
“Some sculptures may be markers for an unknown border, while others hint at vehicular function. Some surfaces are ordered into compositions that allude to touch-screen platforms, energy cells and the digital logic of a different reality. Other surfaces are left to chance: to crystallize, crack under pressure and weather with time. Common sculpture materials such as resin and concrete shed their associations and morph into geological forms. I enforce approximations of natural processes onto my sculptures. Notions of sedimentation, erosion and fossilization come into play.”
See more of Brener’s work at her website here. And read more at her MoMA Studio Visit Page here.
Return to Sender is a funny photo series by photographer Tommy Kha that takes a unique approach to self-portraiture. Rather than taking a straight-forward image of himself, the Memphis-based photographer presents himself engaged in a one-sided kiss with dozens of strangers in various locales. Funny enough, it’s the other person in each shot that is fully committed to the smooch as Kha stands motionless.
When approaching strangers to be his potential partner, Kha simply has one direction for them: “They can kiss me however they want but they have to kiss me on the lips.” No matter how they choose to go about it, Kha’s reaction is consistent. The stoic photographer’s unresponsive facial expression and body language stands out in each shot, making for a hilariously awkward collection of photos.
Shot after shot, he continues to lock lips with passionate partners, yet he impressively displays no sign of pleasure, disgust, or any other possible reaction. Instead, he opts to remain unaffected by their advances, even if they choose to carry him in their arms or dip him as a romantic gesture. via [Beautiful Decay]